Castelli and Massoniart Celebrate 20 Years Together

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2013 marks the twentieth year Massoniart has represented artist Marc Castelli.During this year we will feature two separate exhibitions celebrating the anniversary. In choosing the title “Climbing the Stars” for his May exhibition, Castelli is referencing an archaic celestial navigation term and could not have chosen a more apropos title for our first event. Although all new work will be featured, Marc has gone back to many familiar shores in the creation of these watercolor paintings. He returned to England to capture the J-Class yachts; found inspiration from his travels throughout Europe and the Middle East; fulfilled a lifelong fantasy as a guest of Ferrari at the Formula 1 races in Austin, Texas; and deepened his relationships with the watermen working side by side on their workboats.

Castelli-046-Throughout his career Castelli has navigated numerous unknown seas. As an artist he has taken risks to expand his vision, address his artistic concerns and hone his technical skills. It is his wish to present views few others will ever see, his need to include the viewer in the experience, and his desire to create tangible abstractions from the shapes and textures that can be found in boats, tools, weather, and most of all water that keeps him ever exploring. In staying true to these impulses, he has found a subject in the Chesapeake Bay and its rivers encompassing all the artistic challenges he would want to pursue. “It is the light I have been trying to capture as it falls and illuminates the watermen going about their harvests. The light – that is in the water and air of the Chesapeake Bay and its rivers.” M. Castelli

The exhibition opens on Friday, May 17, with a reception honoring the artist from 5:30 – 7:30 pm. Marc Castelli’s Artist Talk is scheduled for 12 noon on Saturday, May 18. Gallery hours during the run of the exhibition are Wednesday– Friday from 11 am -3 pm and Saturday 10 am – 4 pm. During the exhibition the gallery will be hosting rehearsals for the National Music Festival, June 2 – 15.

visit the website for detailed information. www.nationalmusic.us

Op-Ed: Fault-line Benghazi by Stephan Sonn

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If these were normal times the sizzle of these missions would be quickly render itself in and out of the news cycle.

Not so Benghazi kept alive by the essentially rogue House leadership, Guess what, fate stepped in to prolong the agony. Seems it was the CIA was behind the script that Susan Rice got the blame for. This complicates the game to destroy the president. It doesn’t matter who appoints the director, the CIA is independent and also rogue. It is who they are and why they do their job so well, or not so well.

The fact that we are in a domestic quandary with the very premise of our country threatened by aggressive, divisive social engineering forays. One such ploy is casting a critical spotlight on every flaw in wartime diplomatic missions. That would be without concern for generations of embedded operational tactics before Benghazi that became standard at the State Department. But this time a failed mission has a political payoff.

These missions are complicated, not at all cut and dry like the conquest of Grenada. Libya is/was unstable; in that environment any ploys or plans that overtly address the landscape in the context of international treaties and precedents, is an excursion in quicksand. Dangerous gambits at best performed by CIA, and hostile to normal diplomacy. But joint missions are the rule and performed at extreme but routine risk, since the CIA appeared in post WWII geopolitics. So maybe in hindsight it is unsafe to set up diplomatic shop in a tinderbox but this is not the first time that happened.

In a previous Op Ed, Major General Douglas O’Dell’s mission comments, at their root, actually struck a positive chord about mission premise planning and logic. The timing was off and his target very selective by some standards but he is the general.

Fault line risk tactics are the norm in war zones or the aftermath, Combining CIA missions with close-knit diplomacy is inherently dangerous but, does Obama own the failure or is it all Russian roulette?

There are people operating domestically who have a mission too; to make Obama fail by whatever means. Their methods are dangerous to the country and they are making hay. Witness statements from the Rogue House Committee are altered and deleted, and an army of propagandists impregnates media and communities with rancor.

Even this forum is subject to planned discord. By that I refer to the previous misuse of Hatch Act tenets as a false talking points.

These are not normal times. The reality we know, balances on a mighty thin reed.

Wine to Be Legal at Maryland Farmers’ Market in June

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Farmers’ market shoppers throughout Maryland will soon be able to purchase wine along with their locally grown fruits and vegetables thanks to a new bill recently signed into law by Maryland Governor Martin O’Malley. Effective June 1, the law allows Maryland Class 4 wineries to sell at farmers’ markets without the previous county-by-county restrictions and limits.

House Bill 978, the statewide bill introduced by Maryland Delegate Charles E. Barkley, was processed through the Maryland legislature along with a couple similar county-specific bills like House Bill 1197 (HB 1197) for Queen Anne’s County introduced by Delegates Stephen S. Hershey, Jr., Jay A. Jacobs, and Michael D. Smigiel. HB 1197 was initiated by the Centreville Main Street Program in coordination with the Maryland Wineries Association with the hopes that one of their bills would pass.

“The law includes farmers’ markets as well as other off-site events like wine festivals and makes it easier for wineries to participate at off-site events without barriers based on jurisdictions and numbers of days,” says Kevin Atticks, executive director, Maryland Wineries Association. “Working with Centreville Main Street and other jurisdictions increased our chances of success. It’s a win-win for the wineries as well as the consumers,” he adds.

For Centreville Main Street, the coordinated effort represents the first major success for the emerging program that just celebrated its first anniversary earlier this year. “When our new Main Street manager came to us to request our support we whole-heartedly gave it our backing,” says George (Smokey) Sigler, president of the Centreville Town Council. “Adding new vendors and differentiating our market from others have been goals of ours, so the wine legislation just made sense,” he adds.

The first winery to join the market will be Tilmon’s Island Winery, Sudlersville, who will use their old special events permits to begin selling at the market on Saturday, May 18. The winery will sell Bohemia River Reserve – a dry white, Nectar de Harbor Court – a semi-sweet blush, Bay Country Chambourcin – a dry red, and

Dame Judith’s Red Hat Red – a sweet red.

Centreville Farmers’ Market is currently recruiting additional wineries. For more information, contact Carol D’Agostino, Main Street manager, at (410) 758-1180, ext. 13, mainstreet@townofcentreville.org.

Under the new permit, Class 4 wineries may attend any farmers’ market in Maryland to which they are invited, provided the market is listed in the Maryland Department of Agriculture’s Farmers’ Market Directory. In addition, there are no limits to the number of markets (or market days) a winery may attend. The new law removes the county-by-county restrictions and limits.

All wineries are being encouraged to apply for the off-site event permit prior to June 1 so it may be effective when the law goes into effect.

For more information on the farmers’ market, contact Arlene Warner at (410) 841-9269, David King at (443) 262-6420 or davidkking.is@gmail.com or Carol D’Agostino, Main Street manager at (410) 758-1180, ext. 13, mainstreet@townofcentreville.org. To stay connected throughout the market season, visit facebook.com/centrevillemarket.

Massoniart Announces Marc Castelli “Climbing the Stars” 20th Anniversary Exhibition

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Castelli-012-2013 marks the twentieth year Massoniart has represented artist Marc Castelli.During this year we will feature two separate exhibitions celebrating the anniversary. In choosing the title “Climbing the Stars” for his May exhibition, Castelli is referencing an archaic celestial navigation term and could not have chosen a more apropos title for our first event. Although all new work will be featured, Marc has gone back to many familiar shores in the creation of these watercolor paintings. He returned to England to capture the J-Class yachts; found inspiration from his travels throughout Europe and the Middle East; fulfilled a lifelong fantasy as a guest of Ferrari at the Formula 1 races in Austin, Texas; and deepened his relationships with the watermen working side by side on their workboats.

DSC_0393Throughout his career Castelli has navigated numerous unknown seas. As an artist he has taken risks to expand his vision, address his artistic concerns and hone his technical skills. It is his wish to present views few others will ever see, his need to include the viewer in the experience, and his desire to create tangible abstractions from the shapes and textures that can be found in boats, tools, weather, and most of all water that keeps him ever exploring. In staying true to these impulses, he has found a subject in the Chesapeake Bay and its rivers encompassing all the artistic challenges he would want to pursue. “It is the light I have been trying to capture as it falls and illuminates the watermen going about their harvests. The light – that is in the water and air of
the Chesapeake Bay and its rivers.” M. Castelli

Castelli-046-The exhibition opens on Friday, May 17, with a reception honoring the artist from 5:30 – 7:30 pm. Marc Castelli’s Artist Talk is scheduled for 12 noon on Saturday, May 18. Gallery hours during the run of the exhibition are Wednesday – Friday from 11 am -3 pm and Saturday 10 am – 4 pm. During the exhibition the gallery will be hosting rehearsals for the National Music Festival, June 2 – 15 visit the website for detailed information. www.nationalmusic.us

The Gallery will be hosting additional receptions during the exhibition on June and July First Friday. New work by Vicco von Voss and Rob Glebe featured during the Castelli exhibit. Visit www.artatchestertown.com for additional events.

Letter to Editor: Serious Questions for Rock Hall’s Mayor

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Civic turmoil in Rock Hall in recent weeks raises questions about possible misuse of public money by Mayor Bob Willis. Here are two examples:

First, on April 29, Mr. Willis offered $40,000 to Town Manager Ron Fithian to get him to resign (see Chestertown Spy, “Willis Blunders, Gets No Support From Council To Fire Fithian,” 4/30/13). To his credit, Mr. Fithian turned it down.

Mr. Willis’ extraordinary, and possibly extralegal offer, prompts me to ask:

• Without $40,000 approved in advance by the Town Council as a line item labeled “Pay-Off” in the town’s FY2013 budget, did Mr. Willis exceed his charter authority by making this offer?

• Without a public vote by the Town Council, how on earth did Mr. Willis think he could offer $40,000 to Mr. Fithian?

• Under state law, did Mr. Willis’ $40,000 offer constitute a bribe?

Second, using Town of Rock Hall check #14011 in the amount of $1,250 payable to “Horizons at Radcliffe School” for its “Dancing with the Stars” gala last January,

Mr. Willis purchased a table for 10 and invited his wife, Councilwoman Susan Francis, her husband, and six others to enjoy the festivities, which raises these questions:

• Why would a public official use $1,250 in public funds to benefit himself, his spouse, another public official, her spouse, and six other friends?

• Why wouldn’t Mr. Willis ask his invitees to pay their own way?

• Did Mr. Willis invite Rock Hall’s other three Town Council members to join him, or just Ms. Francis?

• Didn’t it occur to the mayor that using public money for private gain is called corruption?

Grenville B. Whitman
Rock Hall

Eastern Shore Wind Ensemble Presents ‘A Night at the Opera’

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On Sunday, May 19, the Eastern Shore Wind Ensemble will present a program with a theme of “A Night at the Opera.” The free band concert, conducted by Dr. Keith Wharton, will begin at 4:00 p.m. at Emmanuel Episcopal Church, Cross and High streets, Chestertown.

The wide-ranging program of mostly well-known selections should appeal not only to opera buffs but also to a general audience, which will find much of the music familiar.

The concert will open with the frequently performed overture to W.A. Mozart’s 1786 comic opera The Impresario, a burlesque of an audition held by a theater director. Next, “Bacchanale” from Samson et Dalila (1876), by Saint-Saëns, will evoke one aspect of the Biblical story. The contrasting stately “Grand March” from Verdi’s Aida (1871), set in Egypt, will follow.

“Meditation” from Masssenet’s Thaïs (1894), also set in Egypt, was written for solo violin and orchestra as a symphonic interlude between acts but has also become well known as a flute solo with accompaniment. Emily Sessa of Galena, an ESWE member during middle and high school, now a music education major at Towson University, will be the flute soloist.

Two excerpts from Verdi’s Il Trovatore (1852), the contrasting “Anvil Chorus” and “Missere” will be played, followed by excerpts from Die Meistersinger (1867), by Richard Wagner. The 20th century will be represented by a medley of five tunes from A.L. Webber’s 1986 Phantom of the Opera. The program will conclude with themes from the overture to Mozart’s Magic Flute (1791), one of the most recognizable and best-loved opera overtures.

The Eastern Shore Wind Ensemble is an all-ages community concert band that offers area musicians an opportunity to continue or return to the pleasures of playing quality music in a large ensemble—and to present such music to the public. New members are always welcome, without audition or fee. For more information, call 410-778-2829 or 410-810-1834. The ensemble is partially supported by the Kent County Arts Council.

Rhubarb Pie with Mom by Barbara Jorgenson

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I’m humming, almost singing just under my breath. I’m happy. It’s my son’s 28th birthday. He’s coming home from New York for the weekend. I want to make him something special. Not a birthday cake. Rhubarb Pie_webRhubarb pie—his favorite.

Everything is on the kitchen counter: red stalks of fresh rhubarb, sugar, cinnamon, butter, flour, shortening, the old ceramic mixing bowl with a hairline crack in the side, the pie crust cutter whose wooden handle has lost all but a few patches of red paint, the wooden rolling pin with just one handle, the mixing spoon that has lost most of its silver plate.

There’s no recipe; no measuring cup. I know what to do.

Two big handfuls of flour into the bowl. A rounded spoon of shortening. I turn on the tap and let it run until the water is cool. Two splashes of water into the bowl atop the flour. “Just sprinkle, don’t use too much,” a voice in my head says. Firmly but gently, I work the flour into the shortening with the pie crust cutter. A crumbly mass begins to form. Quickly, I press the crumbs into a smooth mound at the bottom of the bowl. “Time to roll now,” the voice says.

I sprinkle the granite countertop with flour. “Not too much, just a little and smooth the flour with the palm of your hand,” the voice reminds me. I pinch the dough in half and roll each half between my palms. “You need a nice round ball to start,” says the voice. Using the heel of my hand, I flatten the ball in the center of the floured countertop. I run my floured hands over the length of the rolling pin—up and down quickly until the pin is dusty white.

Then right, left, up, down, right, left, up, down, again and again I press the rolling pin over the dough until it begins to form a circle. I hold the pie plate over my circle. “Make sure the circle is big enough,” I hear the voice say. Very carefully, I fold my circle in half and transfer it to the pie plate, easing the folded half up and over the other side. “Remember to cover all the plate’s edges,” the voice directs.

I roll the second dough ball into a flat circle too, but I leave this one on the countertop. “Cover it with a damp towel. Don’t let the dough dry out while you make the filling,” admonishes the voice.

I wash the rhubarb stalks, looking closely at each to decide whether the stalk is too big and needs to be peeled. “If you don’t peel the stalks, the pie will be stringy,” warns the voice. I take a paring knife and knick the top end of each stalk, stripping the veins from top to bottom. I quickly cut each stalk into pieces the length of my thumb.

Using both hands, I scoop four big handfuls of rhubarb pieces into the bowl. A handful of sugar and half a handful of flour follow. The old spoon moves in my hand, trying to coat each piece of rhubarb. But some of the flour and sugar refuses to stick. “Don’t worry,” reassures the voice, “you can sprinkle it over the top later.”

The coated rhubarb pieces fall into the pie plate. My fingers rapidly rearrange the pieces, reorganizing their haphazard placements. I sprinkle the loose flour and sugar over the now heaping pie plate. A dash of cinnamon dusts across the mound. Lumps of butter scatter across the top. “Use five lumps—one for each quarter and one for the middle,” directs the voice.

Gently, gently I pick up the second round of pie crust. “Don’t tear it! Be careful,” the voice scolds. I carefully fold the second crust over the mounded, sugared rhubarb. I press both my palms over the mound, shaping the crust to the hilly contours of the rhubarb.

“Always wet your thumb before you try to seal the crust,” the voice advises. I turn on the tap and wet my thumb so I can pinch and seal the two crusts together when suddenly I remember:

All this I learned from my mother. I can still hear her voice.

Happy Mother’s Day, Amelia Jean.

Amelia Jean Jorgenson died January 7, 2013, in Palm Harbor, Florida. She was 89 years old. She had not made a rhubarb pie in many years.

Chestertown’s Whole Life Network to present “Forage: The Prehistoric Diet in Context”

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The Whole Life Network, a new community group organizing around access to a healthy lifestyle, is hosting a free event, “Forage: The Prehistoric Diet in Context,” on May 21 at 7:30 p.m. Professor Bill Schindler will speak in the Litrenta Lecture Hall (in the Toll Science Building) at Washington College. The Network is grateful to Washington College’s Student Environmental Alliance for co-sponsoring this event. The event is free and open to the public.

The relationship between humans and food is inseparable from practically all aspects of life. In addition to meeting the needs of our daily nutritional requirements, food is a focal point of ceremonies, holidays, celebrations, the manner in which we cope with stress, etc. Recently, however, we have all become participants in the modern Western industrial food system. This system, which bears no resemblance to the way we ate in the past, has effectively and purposefully distanced us from our food source.

“The distancing of us humans from our food source is increasing at alarming rates completely transforming our relationship with food – and, in turn, with one another and the planet,” says Schindler. “This presentation will attempt to correct this gap in our understanding by outlining the most current information on prehistoric foodways and highlighting major milestones in our dietary past.”

Bill Schindler is a professor of archaeology at Washington College. As a prehistoric and experimental archaeologist his research focuses on prehistoric technologies including stone tools; ceramics; and food procurement, processing, storage, and use. As an avid hunter, forager and chef he incorporates wild, fermented, and cured foods into his family’s diet on a regular basis. He believes the key to optimal health lies in understanding the human dietary past.

The Whole Life Network is a group of community members focused on creating better lives for all of us, with interests including integrative medicine, protecting the environment, and access to healthy, organic, local food. Volunteers are welcome.

For more information about the Whole Life Network, to join the e-mail list, or to get involved, please contact info@wholfelifenetwork.me or visit www.facebook.com/wholelifenetwork.

Chester River Health Foundation to Host 19th Annual Golf Tournament May 31

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The Chester River Health Foundation will be hosting their 19th Annual Golf Tournament on Friday, May 31st at its new location, The River Course at Queenstown Harbor.  The River is an exquisite course that was recently renovated and reopened in 2011, and boasts breathtaking views of the bordering Chester River. This year’s tournament is being generously sponsored by The People’s Bank and FAM&M Insurance, Inc. The People’s Bank has been the Tournament sponsor each year since its inception in 1995.

Golfers will have the ability to choose from two tee times, 8:00 a.m. or 1:30 p.m.; both shotgun starts will play 18 holes.  Registration will begin at 7:00 a.m. for the morning tee time and at 11:30 a.m. for the afternoon tee time.  Lunch will be provided to all golfers; morning golfers will have lunch available to them in the pavilion following play and afternoon golfers will have packed lunches, sponsored by CR Goodman Architects, provided to them on their golf carts to ensure the 1:30 p.m. tee time. Volunteers of the event will also enjoy lunch sponsored by Peggy and Jim Ross.  An awards reception and dinner for golfers and invited guests, sponsored by Whiting Turner, will immediately follow the tournament.  Catering for this event will be provided by Queenstown Harbor.

Team prizes will be awarded to eight first and second place teams.  Participants will also compete for a variety of prizes in categories including closest to pin, longest drive and most accurate drive.  In addition, there will be four hole-in-one prizes, three of which are $10,000 cash prizes and the fourth a GMC® Terrain SUV sponsored by Ramsey GMC in Chestertown.

Golfers’ registration also includes participation in a putting contest in which the best shooter will take a final putt for a $10,000 prize ($5,000 to the golfer and $5,000 to the Foundation), sponsored once again by Chestertown attorney and Tournament co-founder, C. Daniel Saunders, Esq.

Many other local businesses have already committed to sponsor additional prizes including Queenstown Bank, generously sponsoring a $100 pro shop gift certificate to each of the 24 first place winners (6 teams); RASP Electric, Inc., sponsoring a $75 pro shop gift certificate to each of the 8 second place winners (2 teams); and Leon LaRosa, sponsoring a $1000 cash prize for the closest to the pin within 12”.

The Chester River Health Foundation cordially invites golfers as well as sponsors to register early for this annual event as it is expected to sell out. “This year,” commented Mary Burton, Golf Committee Chairperson, “we are privileged to be holding our 19th Annual Golf Tournament at the premier River Course at Queenstown Harbor.  Proceeds from the Golf Tournament have always funded special projects and equipment for the benefit of the people served by Chester River Hospital Center.  We greatly appreciate the participation of the golfers, volunteers and sponsors and their continued support throughout the years.”

Proceeds from this year’s event will be used to help fund two state-of-the-art rooms in Chester River Hospital Center’s new emergency department which will care for patients in need of critical care, observation and/or resuscitation.  Construction is slated to begin in July, 2013. Residents and visitors of the Kent County community utilize the Chester River Hospital Center’s emergency healthcare services, as it is the only hospital/emergency department within a 45-minute radius in any direction.  Nearly 45% of all patients in need of services from Chester River’s emergency department require the care that will be provided in the two critical care rooms being funded by this year’s tournament.

Chester River Chorale Presents “Independence Forever” May 26

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With fife and drum and patriotic songs galore, the Chester River Chorale will proclaim “Independence Forever!” on Sunday, May 26, capping Chestertown’s Tea Party weekend leading up to Memorial Day.

The program includes songs of freedom from the Revolutionary War through the civil rights movement, and, mindful that the 150th anniversary of the climactic battle of Gettysburg and simultaneous fall of the Confederate stronghold of Vicksburg is only weeks away, will place special emphasis on the Civil War.

The concert by the 90-voice, community-based Chorale will be at the Presbyterian Church of Chestertown at 8 p.m.

Kent County soprano Karen Somerville, a recording artist and producer of gospel, blues, jazz, and folk, will again join the Chorale as a guest soloist. Sammy Marshall will again be featured as the piano accompanist.

“Every advancement in American democracy has been fueled by music,” said Douglas D. Cox, the Chorale’s artistic director since 2010. “Music is the original social media for elevating a cause and fomenting change. How could our nation have ever come to be without it?”

The Chorale’s own medley Independence Forever! will open the program, beginning with songs of the American Revolutionary evoking the Spirit of 1776, and ending with We Shall Overcome, the anthem of civil rights marchers in the 1960s.

The westward expansion of the nation in the 1800s will be celebrated in songs of rivers and rails, as will the campaign for emancipation of slaves leading up to the Civil War.

The Chester Chamber Singers, an auditioned group of Chorale members, will present a medley of songs about the great conflict between the Blue and the Gray. Next, soprano Somerville will join in with her arrangement of a folk song created to help escaped slaves find their way north to freedom. A moving tribute to the ideals of equal rights using the words of Dr. Martin Luther King’s “I Have A Dream” speech follows.

The concert’s concluding section honors service and sacrifice in defense of American liberty.

As is the custom, the audience will have the opportunity to join in the music making. So bring your best voice to add to a glorious rendition of America the Beautiful.

No tickets will be sold, although donations to support the Chorale will be gratefully accepted. The Chorale has been performing to full houses for the past several years, so patrons are urged to come at least 15 minutes early to be assured of being seated.

The Chorale’s Mission is to provide opportunity and inspiration for amateur singers to strive for artistic excellence and to enrich the cultural life of the community. For more information, visit www.chesterriverchorale.org or call 410–928-5566.

The Chester River Chorale is a non-profit 501(c)(3) organization funded in part by the Kent County Arts Council and by an operating grant from the Maryland State Arts Council, the Hedgelawn Foundation, the Artistic Insights Fund of the Mid-Shore Community Foundation, and Yerkes Construction Co.