About Andy Goddard

Maryland 3.0: Cassinelli Winery

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Jennifer and Al Cassinelli with tasting room guests.

Jennifer and Al Cassinelli with tasting room guests.

Those of us in Kent County and northern Queen Anne’s have probably driven by the Cassinelli Winery on route 213 just outside of Church Hill dozens of times without stopping, or realizing that along with their 13 acres of grapes, they have three acres of fruit trees, Wye Angus cows, buffaloes and two  burros.

Those grapes have produced seven award winning wines in the Maryland Governor‘s Cup competition, including a gold this year for their 2009 Merlot Reserve and two bronze medals for ‘09 Rose Barbera and Barbera Reserve.

The Spy dropped in for a visit on a recent weekend to chat with owners Al and Jennifer Cassinelli in their tasting room -actually, Al spoke with the Spy while  Jennifer poured wine and talked with customers.

Those cows and buffaloes are not there just to enhance the bucolic setting. They eat the grass as well as grape skins, bruised or otherwise unusable fruit, and fertilize the fields. Apples, peaches, plums, and Asian pears are offered for sale as ‘pick your own’ and at farmers’ markets.  

The winery also plans to offer brandy and grappa – style spirits made from their fruit this fall. Under the 2010 Maryland Winery Modernization Act, wineries may produce 1900 gallons of brandy and port- style wines annually. Their federal distiller’s license is in process and should be completed shortly, according to Al Cassinelli.

cassinelli_award winners

The conversation turned to the business of grape growing, wine producing and selling. Al’s day gig is in financial investing – he’s not quite ready to devote all his time to the winery. High school students prune, weed and position the shoots throughout the summer, with Al doing all the spraying – every ten days June through September. The number one enemy on our humid Eastern Shore  is mildew. Schmidt Vineyard Management handles  the heavy pruning and grape picking. Pruning occurs eight times a year, four minutes  if you’re speedy, to tuck the shoots and sucker each plant.  One of his consultants recommended planting in relatively short rows so pruners don’t face an endless vista of vines. Al estimated  370 hours  spent on each acre;  at 700 plants per acre, the cost is approximately $4,000 per acre just to tend the vines.

Harvesting was early this year – August and September vs late September.  The hot, dry weather produced  high quality grapes, but a low volume. 2010 was the reverse—too much wet weather means low quality but high yield. Kathryn, their wine consultant, arrives the first of March each year from France to taste and smell each one of the 30 barrels of wine. She’ll then separate them into three rows. The first is set aside for single varietals;  Chardonnay, Barbera, etc., the second for blends, and the third designated for the sweeter wines and distilled spirits.  The whites will be bottled in April, the reds at the end of October. Al prefers to have the wines, especially reds, sit in the bottle for at least 90 days prior to selling.

Plans are  underway for a new 10,000 square foot  ’events’  building complete with  catering kitchen, courtyard, grass lawn and bride dressing room. The winery has hosted twenty plus weddings in the past few years; they turned down a number of requests due to lack of indoor space.  The Cassinellis envision holding a number of wine dinners in addition to renting the building  for private events.  Ground breaking is tentatively scheduled for this October.

Last year saw sales of 6,200 bottles, the goal is 10,000. About half of the wine is sold through their tasting room, 10 to 15% through retail shops, and 30% at festivals. Al expects an uptick in 2013 holiday season sales with the recent passage of the law allowing wineries to sell online. Business has definitely increased with the opening of Crow Winery (Kennedyville, Kent County) and Cascia Vineyards (Stevensville, QA County). The winery receives a number of  tourists following the Chesapeake Wine Trail, which runs through the Upper, Mid  and Lower Eastern Shore counties.

Al Cassinelli summed up the winery’s mission succinctly, “Our job is to grow great grapes and sell wine.”

Cassinelli Winery

 

 

Profile: Alpacas in Broadneck

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Fiona, Autumn and Nikki

Alpacas come in twenty-two colors, from a true black to shades of  brown, gray and white;  two types: huacaya and suri; and are members of the camelid family (two-toed  ruminants with a three- chambered stomach).   In August of this year, Tracy Abram and her mother Connie Gsell introduced four, three-year old huacaya alpacas to their dairy farm on Kent County’s Broadneck. The Spy spent a fascinating afternoon at the farm recently meeting Fiona, Autumn, Nikki, Oso, and their minders.

Abram explained that they want the alpacas both as pets, and for the income;  selling the fleece to a coop and animals to other farms and breeders. They plan to eventually keep  a herd of  about twenty. The three females are all pregnant, and due in the spring. Gestation period is eleven months; it is rare for them to have  twins. The females only come into heat when they are around males. The lone male on the farm, Oso, is gelded.

The first couple of months were spent domesticating and socializing the alpacas, as they were quite shy.  They took them for walks down the farm lane every week, (and still do), petted and  bonded with them. Gsell said in the warmer weather she would bring a chair out to the  pasture and read. She added that the females really like her husband, and give him a kiss every morning when he comes out. They do spit – but at each other, over food quarrels or in asserting dominance.

Alpacas are relatively low maintenance. In addition to grazing in the field, the four eat a bale of hay a week and eight ounces of alpaca feed for their coat twice a day. Carrots and apples are treats, although they must be finely chopped, or the food will get stuck going down that long neck. Gsell said the worst job is poop patrol; which needs to be done daily for parasite prevention. Alpacas don’t like rain, although they love it when Abram and Gsell spray their legs in the summer heat to cool them off.

Fiona

Shearing is done once a year, in April. The quality of the fleece determines the price. Tracy parted the animals’ coats, demonstrating  the difference between male and female.  The gelded white male will have the best fleece, as all his hormones are all directed toward growing a thick coat. It was also considerably softer.

Huayaca alpaca fleece (fiber) grows perpendicular to the skin and gives them a fluffy appearance. Abram parts Oso’s coat to demonstrate.

Alpaca fiber wicks moisture, doesn’t hold odors, is extremely durable and naturally hypo- allergenic. Products made from 100% alpaca tend to be fairly pricey, most are blended with wool or synthetic fibers.  Currently for sale at the farm or on line are  alpaca socks and ‘PacaBuddy’alpaca toys bought from another small producer. Gsell is contemplating buying a loom and weaving a rug, as the fiber is so durable.

If you want  an alpaca of your very own, be warned that they are extremely herd oriented and must have company, so you’ll need at least two. Prices range from $1,000 well up into triple digits.  According to Abram,  the vast majority of alpacas in North America are registered with the Alpaca Registry, Inc. which protects the gene pool, preventing cross-breeding with other camelids.  The registry is not open to imported alpacas.

Gsell and her husband have farmed and lived on the 290 acres since 1974. They purchased it in 1994 from the estate of Wilbur Hubbard, who had put the land in a conservation easement; there are three houses allowed on the property. In addition to the alpacas, there are a hundred head of Holstein dairy cows and beef cattle, along with crops of corn, soybeans, hay, straw, wheat and barley. Gsell hopes to keep it as a family farm for generations to come.

Tag Along Alpacas welcome visitors, by appointment. A highly recommended treat  for all ages.

Tag Along Alpacas

http://www.tagalongalpacas.com/ 

tagalongalpacas@yahoo.com
410 778 5224
410 778 4962

Connie Gsell (l) and daughter Tracy Abram displaying alpaca products.

Victory Garden’s Sabine Harvey Awarded Maryland Golden Apple for Public School Support

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Comptroller Peter Franchot discusses Victory Garden with KC Middle School students Isaiah, Lauren, Christian and Taliah, with Harvey looking on.

State Comptroller Peter Franchot presented Sabine Harvey with the first Maryland Golden Apple award for her creation of and unceasing work for Kent County’s Middle School’s Victory Garden.

Franchot said that the award recipients were the, “unsung heroes” who work within the Maryland public school system, and that we owe the volunteers a huge debt. There will be 24 awards given out this year, one in each county.

Also attending Thursday’s event were KC Middle School students who worked in the garden, principal Gary McCullogh, state delegate Jay Jacobs, school board members Bryan Williams, Michael Harvey and Brian Kirby, and Kent County Sheriff John Price.

McCullogh opened the ceremony by commending Harvey on her enthusiasm and her infectious and inspiring attitude in turning the garden into an outdoor classroom. Franchot told the assembled 7th graders, “..you guys are the future, and  to, “..stay on the shore and raise  families.”

KC Middle School principal McCullogh addresses 7th graders who worked in Victory Garden.

In accepting the award, Harvey, who is a Master Gardener and Horticulture Program Assistant at Kent County’s University of Maryland Extension office, said she couldn’t have done it without the help of teachers, and she credited social studies teacher Ed Stack in coming up with the idea of the garden.

Harvey also recognized Judy Gifford of St. Brigids Farm for her recent $5,000 donation (proceeds raised from their annual Field to Fork dinner), the Chestertown Optimists and Bramble Construction for running a water pipe,  (no more bucket brigade), and Maria Hyson and the Washington College Habitat for Humanity students who helped build the garden.

School board member Michael Harvey perhaps had the best advice to students, “Figure out what you love to do and just do it.”

Evie Baskin’s “For the Love of Dogs” Opens Friday

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Heller Halliday and Happy Talk

For the past eight months, Evie Baskin has been immersed in the canine world, working on pastel portraits of dogs and  their owners for her exhibit, “For the Love of Dogs,” opening on First Friday, December 7 in the Hogans Building.

The ten portraits are of friends (two and four legged), regular attendees of the farmers’ market and recommendations from dog lovers.  Baskin spent time meeting with the subjects, photographing and getting to know them personally. Subjects range  from the Honorable Paul Bowman and his puppy, Bella, to Chestertown farmers’ market regulars Sadie and Morgan Ellis, to Carter Stanton and his Golden Retriever, Keightley.

Morgan Ellis and Sadie

At Baskin’s reception for the portrait subjects (sans dogs) prior to hanging the show, the Spy learned that Sadie is  5 years old, talks to everyone at the market, and has a fondness for green beans. (Ellis had to confess to Bill and Donna at  Redman’s stall that Sadie had been shoplifting.) Tony Laroux was interested in adopting a Geman Shepherd; went to a number of organizations in the region, submitted applications and never heard back. He surmises that as he has no fenced back yard, he was disqualified.  He finally found a dog he liked at the Kent County Humane Society, was filling out the paper work, only to have a previous applicant decide they wanted the dog.  A few weeks later, the Humane Society notified him they had a new Shepherd. Laroux said he and Maya, “bonded immediately.

Joshuah Tyer and Elly

A portion of the proceeds from portrait sales goes to the Kent County Humane Society; the subjects are not required to purchase.  And is there a slight resemblance between “owner” and dog? The exhibit will be up in the Hogans Building on Memorial Row, December 7 (5 to 8 pm), Saturday, December 8 & 15(noon to 2 pm). Outside of these hours, Hogans Gallery is open by appointment by calling Laura Drons at 443-480-4055 through the 21st.

 

 

 

First Hand Look: Chester River Association Promotes Switchgrass with Webinars

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In keeping with their mission to promote stewardship of the Chester River through healthy farming practices, the Chester River Association (CRA) recently hosted a webinar on the benefits of  switchgrass as an agricultural option for farmers.

Bob Parks, executive director of the CRA from 2005 – 2011 and currently their energy consultant, opened the webinar, saying that, “The best use of land is agriculture, not development,” adding, “healthy farms equal a healthy Chester River.”

Switchgrass (Panicum virgatum) is a perennial, warm season grass native to the majority of the Eastern seaboard. It is drought and salt tolerant, needs relatively little fertilizer, does well in shallow, wet as well as deep soils. Its  long roots  improve soil quality and water quality. The seven to eight foot tall grass is an asset to wildlife, affording better nesting and winter cover. It is recommended for marginal, not productive land; such as wet, low lying areas or highly erosive ones.

Virgil Turner, who spent 47 years with state and federal agencies as a conservation planner and now works part-time for CRA told the audience that there are currently about 600 acres of switchgrass in 45 locations in Kent and Queen Anne’s counties. The seed is planted in mid May to mid June using a no till process, takes about 5 years to reach full productivity, and will produce for more than 20 years. It is generally cut once a year; harvested and baled like hay.

There are three major markets:  biofuel,  mushroom  compost, (growers chop the bales up, and add nitrogen), and chicken house bedding, (better for the chicken’s feet than wood shavings—apparently there is a huge Asian market for chicken feet). Paul Spies, also a conservation planner with the CRA, told farmers that mushroom growers in SE Pennsylvania would like to see 4,000 acres of switchgrass, and that one large Delmarva poultry farmer has, “signed on for bedding.”  Spies believes that the market for biofuel may be 5 to 10 years in the future, and that it is currently not a great economic option. Using a profit calculator based on 2011 statewide median numbers from the University of Maryland Extension office, Spies showed that farmers can make a profit by the second year using nutrient credits, and consistent profits of $650 – $790 per acre from year five on for at least ten or fifteen years. Spies cautioned that the numbers did not include transportation costs. He also said that new poultry regulations may encourage poultry farmers to grow switchgrass themselves.

Nutrient trading was established in Maryland in 2008. Conservation practices such as cover crops, reduced fertilizer use, buffers, and fencing are eligible for credit. Dana York 30-year veteran of the USDA Natural Resources Conservation Service, discussed various eligibility requirements, how to calculate potential credits and sell them.  A farmer could conceivably sell his switchgrass to one buyer and his nutrient credits to a point source (eg. sewage treatment plant) or another non-point-source (eg. farmer). York opined  that agricultural offsets may be the answer to meet target load reductions of nitrogen, phosphorus and sediment, as part of the Bay TMDL (Total Maximum Daily Load).

Approximately  80 participants assembled for the webinar, and although CRA Executive Director Heather Forsyth said a number were media and agency staff members, there is obviously interest in the farming community for use of the grass. The takeaway was that switchgrass is a win-win situation for the Eastern Shore farmers and residents; switchgrass puts money in the farmers’ pockets from land previously deemed unproductive, requires less energy to plant than corn, uses traditional hay equipment to harvest, produces for more than 20 years, and promotes a healthier soil and thus a healthier watershed. Is there an argument against growing the grass? We welcome comments.

Downrigging Profile: “Cold Mountain” Composer Tim Eriksen

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Tim Eriksen is a curious guy. Punk, rock, traditional folk, jazz, Sacred Harp  (acapella), Bosnian folk/pop – he’s done it all. And he’s well regarded in the music world; he’s hung out with Garrison Keillor on Prairie Home Companion, played at Carnagie Hall and the Blue Note Jazz Club. He contributed to the soundtrack to “Cold Mountain” and sang at the Academy Awards. The Boston Globe has called him, “….among the most influential figures in the neo-primitivist movement that is rejuvenating American traditional music.”

In addition to putting out 3 solo cds in the past ten months and recording material for other projects, Eriksen also teaches, tours, is in graduate school and has two small children. He should probably teach a course in time management as well as singing and songwriting.   He’ll be stopping at  Chestertown’s Garfield Center for the Arts on Saturday of Downrigging Weekend for a performance you don’t want to miss.

The Spy spoke with him by phone recently to discuss his upcoming Eastern Shore gig, where he’ll be showcasing tunes from his just released cd, “Josh Billings Voyage.” Eriksen will accompany his distinctive vocals (“one of the best voices in music” – T Bone Burnett) with banjo, guitar and fiddle. Joining him on stage are longtime bandmate Peter Irvine on percussion and fiddle player Zoe Darrow.

Eriksen told the Spy that he is interested in connections; in his latest cd, he is, “…exploring the deep multicultural connection between Native Americans and the culture of New England in the 17th and 18th centuries, as well as the influence of travels.” The songs tell the story of fictional character Josh Billings and his maritime voyages around the world.  Children’s maritime drawings adorn the cd cover.  All this is fortuitous; Eriksen is not known as a  ”maritime” songwriter, it so happens that he had just finished the cd  when SULTANA came calling. As far as I can tell, “Josh Billings Voyage” is not yet available on line, hopefully he will have them for sale at the show.’

In addition to the trio performance, Eriksen will play two tunes earlier on Saturday during film maker David Conover’s talk , 5 pm at the Garfield Center. Conover’s discussion of our (America’s) cultural disconnect from the outdoor world will include outtakes from his upcoming documentary, “Behold the Earth,” in which Eriksen  is recorded live in the woods. Our conversation kept revolving around connections; his previous work with Conover and the fact that they are both in Chestertown for Downrigging, his new cd. Eriksen mentioned that his brother was currently on a sailing trip and  planning to  cruise up the Chester  for the gig.The Spy neglected to add a further connection; this is Eriksen’s second appearance in Chestertown, the first was at Andy’s many years ago with his band Cordelia’s Dad.

 

<a href=”http://www.timeriksenmusic.com/about.html” target=”_blank”>Tim Eriksen</a>

Saturday, October 27,2012

Conover Talk  5 pm
FREE

Concert  8 pm
Tickets $15
Call 410 778 5954 for tickets

<a href=”http://www.garfieldcenter.org/” target=”_blank”>Garfield Center for the Arts at the Prince Theatre</a>
210 High St
Chestertown MD  21620

It’s Official: Chestertown Has a Winery

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This past July, Lisa and Sal Grande acquired a winery license for their vineyard on Pear Tree Point; and while technically in Queen Anne’s County, the address is Chestertown – thus Salisa Winery & Vineyards is not only an addition to the Chesapeake Wine Trail, it is also officially the town’s first winery.  Previously they sold the grapes to other wineries (and of course bottled some for their personal consumption). Lisa Grande invited the Spy out for a tour of the vineyard and  a sampling of wine just prior to their September harvesting.

Lisa and Sal Grande tend the Barbera vines just prior to harvesting.

We walked out to the the edge of the three acres of Barbera grapes; future plans include planting at least two more acres. Lisa plucked some grapes off the vines for tasting; they were sweet and juicy.  Sal said the Brix reading (sugar content) was currently at 24; and explained that as a rule grapes have a reading of  anything over 20 at harvest  time. Depending on weather, they would be harvesting the following week. Not only does the Brix reading decrease during rain, the grapes literally get waterlogged and swell, forcing growers to wait for dryer weather and sugar content to rise back up.

The Grandes are ever mindful as grapes and dogs do not agree, although the dog is of a different mindset.

In addition to their Barbera grapes, the Grandes will be using Merlot and Cayuga White grapes from a neighboring vineyard, Dogwood Farms, to produce a Barbera, a Barbera/Merlot blend, a Rose, (made with the Barbera), and a white wine from the Cayuga. Sal explained that the grape skins are discarded after a few days when making Rose, rather than left in contact with the juice throughout the fermentation process.  The Barbera and blend will be aged in oak barrels, the Rose and white in glass. Lisa said that the Rose and a limited amount of white wine will be available after the holidays, with the reds ready around May.

Sal, who is from Naples, Italy and grew up making wine, admitted that though it is a lot of work, tending the vines is his favorite part of the day. Lisa added that you have to love what you are doing – as the process of soil testing, thinning, pruning, leaf pulling, vine tucking and hand harvesting is all-consuming. The two do most of the tasks themselves, with three boys to  help with pruning and spraying. Jennie Schmidt of Schmidt Vineyard & Management Company assists in weed control and provides recommendations on growing and harvesting.

The Grande’s barn will be the site of the  tasting room and  processing facility. Salisa Winery and Vineyard website will be coming soon, in the meantime wine lovers can check progress on their Facebook page.

The Spy was offered a taste of the 2011 Barbera, which the Grandes drink with dinner every night. The deep red  wine was absolutely delicious, with hints of oak and cherry and if it had been early evening instead of mid morning, we would have asked for another glass instead of simply taking 2 or 3 sips.

Salisa Winery

Chesapeake Wine Trail

Iconoclastic Singer Songwriter & Guitar Wiz Peter Mulvey @ NightCat Saturday

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Peter Mulvey performs at the NightCat in Easton Saturday, October 6.

Peter Mulvey occupies a relatively large space in my file cabinet full of memories.  The first  release I have promoting an Andy’s show is for Friday, June 5, 1998  ( Deep Blue: a trainwreck between Leo Kottke, Prince and Michael Stipe)  but I’m fairly certain he performed there at least once or twice prior to that.  Rapture, his major label debut (long hair in the poster) contains an audience favorite, “On the Way Up” and was recorded prior to Deep Blue.

Mulvey continued to play at Andy’s at least twice a year through various booking agents, publicists and record labels until the venue closed.  By 2000 (The Trouble With Poets: the Leo Kottke influence… is fading, replaced by Tom Waits and the Latin Playboys, although Mulvey’s agile, funky acoustic guitar remains central), he was consistently packing the house.  By 2002 (Ten Thousand Mornings: recorded live on Boston Subway’s Davis Square T stop, and features long- loved covers) he and I, and his fabulously talented sidekick, writing partner and producer David (Goody) Goodrich had become close friends. We would stay up talking  into the early morning hours, and go for bike rides in the morning before they took off for the next gig.  By 2006 (Knuckleball Suite: the songs aptly display why he has… been compared to such heavyweights as Tom Waits, Leonard Cohen, Randy Newman…)  Mulvey was working with one of the top national booking agencies and commanding a fair performance fee. No more $5 cover charges at the door, we upped the price and charged entrance to the back room only.

The press releases end in 2007 (Notes from Elsewhere: a retrospective collection, recorded solo; fresh takes of fan and critic favorites.) His last Andy’s performance was March 6 of 2009 (Letters from a Flying Machine had not yet been released.)

Luckily for all of us, the NightCat in Easton has become Mulvey’s new Eastern Shore stop. He’s on stage this Saturday, October 6. The latest recording, The Good Stuff, is comprised of standards: everything from Tom Waits to Duke Ellington to Thelonious Monk. And there is a second cd, Chaser, from the same session.  They must have been having a really good time.

Notice on the NightCat website that the description reads, “A house favorite.”  Amen to that.

Peter Mulvey

Saturday, October 6, 2012
8 pm
Tickets $15

NightCat
5 Goldsborough St
Easton, MD  21601

Samba 101: a Primer

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Acclaimed Brazilian guitarist Rogerio Souza will perform at the Mainstay in Rock Hall on September 20.

The Spy was talking about upcoming concerts with Mainstay director Tom McHugh recently, and he highly recommended  Brazilian guitarist Rogerio Souza’s  show on September 20 with virtuoso bassist Leonardo Lucini and his brother, drummer Alejandro Lucini.  The trio’s concert concludes the Mainstay’s year-long celebration of the Charlie Byrd/Stan Getz historic recording, “Jazz Samba,”  that introduced the world to the music of Brazil.  McHugh said, ” The show will feature ‘authentic,’ rather than ‘pop’ Samba.”  The Spy called  bassist and educator Leonardo Lucini  to determine exactly what the difference is, and received a fascinating lesson in the history of Samba (and Brazil).

Lucini said that the style as we know it started during the early 1900s; it derives from “Choro,” (in Portuguese chorar is to cry; the melodic lines sometimes sound like weeping), and  is a combination of Portuguese classical music – mainly dances, and rhythmic African slave music. The slaves, moving to Rio after they were freed in the late 1800s, mixed with the blue collar workers in the city; classical strings and guitar met percussion and created “Samba.”  However, Lucini noted, there are now at least 13 variations of  samba; which is where McHugh’s reference to ‘authentic’ versus  ‘pop’ comes in.

The most popular form is the  Bossa Nova, (most of us are familiar with the name, at least). Lucini  also rattled off Pagode, Samba Reggae, Samba Enredo, Samba Choro, Samba Cancao, Tropicalia,  and MPB (Musica Popular Brasileira). The early forms emphasized melody and rhythm over lyrics. Samba Cancao, which has a very slow rhythm,  originated in the 1940s and ’50s,  greatly influencing Antonio Carlos Jobim, considered the inventor of the Bossa Nova,  and Joao Gilberto, one  the great Bossa players. For Bossa Nova composers, lyrics were as important and elaborate as melody.

Virtuoso bassist Leonardo Lucini performs Samba Choro at the Mainstay on September 20, along with percussionist brother Alejandro and guitarist Rogerio Souza.

MPB debuted in the mid ’60s as a fusion of non-electric urban music and Bossa Nova.   This style, evolving over the years with additional jazz and rock influences, has become Brazil’s urban middle-class mainstream music; Lucini described it as  representative of prominent contemporary Brazilian composers.

The Tropicalia movement emerged in the late 1960s and early  ’70s as a variation of MPB, a cultural hybrid with a new generation of musicians, led by guitarist/songwriter Gilberto Gil and popular singer Caetano Veloso. It was during this time that Brazil’s military dictatorship was most repressive. Many wrote protest songs; both Gil and Veloso, as well as writer and performer Chico Buarque were forced to leave the country for a period. They have since returned, with  Gil actually serving as Minister of Culture from 2003 to 2008.

A more recent form, Samba Reggae, with, yes, Jamaican influence,  is geared toward  popular consumption with less emphasis on elaborate lyrics and more reliance on melody and harmonies. And Pagode, which developed in the 1980s, introduced additional instruments into the traditional formation. The term Pagode, originally referring to a party with music, food and dance, now has negative connotations meaning cliched, or very commercial pop.

And after speaking with Lucini and reading up on the various  genres it became clear that Samba is more than just a style of Brazilian music, it is Brazil.  It describes her historical culture; the food, dance, clothing, paintings, sculpture, and the famous Rio carnaval.

Souza himself is considered  one of the foremost interpreters  of traditional Samba Choro, using the classical guitar, bass, percussion combination. According to Lucini, the  Mainstay show will consist of originals as well as traditional tunes.  He described Choro in particular as very challenging and demanding to execute. The two performed together in the late 1980s in a group called “No Em Pingo D-Agua,” ( a knot in a drop of water-a Brazilian expression meaning something very hard to do), touring Europe and the States. While Souza  currently resides in Brazil,  the Rio-born Lucini  brothers  live outside of Washington, DC; both moved here in the ’90s to study jazz. In addition to accompanying international performers such as Souza, the brothers teach music and perform  in the band Origem. Lucini described the DC area as a “…very diverse area for music, I am fortunate enough to have become part of a vibrant, eclectic and high level of community.”

McHugh expects a full house for this show,  best to reserve tickets now. No pop Pagode—just authentic Choro. And that  ”Jazz Samba” recording?  Bossa Nova, of course.

Leonardo Lucini

Alejandro Lucini

Thursday, September 20, 2012
7:30 pm

Tickets $15

Mainstay
5753 Main St,
Rock Hall, MD

(410) 639-9133

The Haphazard Garden: Fig Heaven

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This was a banner year for figs; last year my tree was fairly prolific,  this year the fruits started ripening in July and by early August  I was scrambling to keep them from falling on the ground.  Thankfully, things have slowed down, but at one point that single fig tree was the focus of almost all activity in the backyard.

While I was  busily harvesting (or not) the bees and ants were happily fussing about the overly ripe, fermenting fruit strewn under the tree, and since I neglected to prune the top back to a height that I could reach, even with a step ladder, the birds – cardinals in particular – were pecking away above my head. One afternoon I even spied a squirrel darting away with what looked suspiciously like a fig in his mouth. Figs and acorns do share some characteristics: size, shape, color; but I’m afraid he’s in for a surprise if he’s planning on storing those babies for any length of time.

I, on the other hand have been preserving in all ways known to womankind: baking, roasting, freezing, making jam; I just ordered a dehydrator. Let’s hope it gets here before the last fig falls; although one of the websites advised that as the ripest figs are the ones that are on the ground, you should use those for drying. Really? And compete with the bees, ants, and occasional wasp?

The best thing about that fig tree – it is low (virtually no) maintenance. Some judicious pruning in late winter is all it needs; no spraying, no fertilizing. Figs love hot weather and do not seem to  suffer from lack of rain.  Some people put burlap around theirs in the winter; I never have – but mine is somewhat protected from northerly winds. So if you’re in the market for a small fruiting tree that will thrive in our warming climate, consider the fig. And ps, fall is a great time to plant.

I